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Wanted: High-rise strategy for Swiss cities

remained date, the Switzerland of high-rise building boom largely spared. Or: All major foreign cities have their high-rise buildings, only the Swiss "cities" are not.
But this will change soon, at least in Zurich. In the West the first towers to climb into the sky. And what is going on? Will the Üetliberg in a few years can no longer perform as a continuous backdrop or the towers will be concentrated in Zurich-West? The strategy paper of the city of Zurich in this regard seems to be still some open ( http://www.stadt-zuerich.ch/hbd/de/index/ueber_das_departement/publikationen_u_broschueren/hochhaus_faltblatt.html ). Fit high-rise buildings in general in a hilly urban landscape or are they more suited for flat cities?
one hand, one can argue that we will not come in the future to high-rise buildings around, we want to build more compressed and live again in the cities. However, arise at the moment, especially office space and luxury apartments in the first towers. Could you make a highrise authorization to use some rules?

discuss Since there are a lot! What is your opinion?

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We look forward to suggestions and comments (pro and con;) to

trans@arch.ethz.ch or directly in a personal capacity to the editor:

Rebecca Born Hauser, Kaspar Helfrich, Peter Hutter, Daniel Krucker, Anouk Trautmann

http://www.trans.ethz.ch/v05/ index.php

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The architectural competition

The architectural competition for the architects but by its economic
completely inneffizienten competition for a drive
good architecture. It enables the innovative architect
enforce against its competitors. This is also
a great opportunity for young architects. Condition are a good jury and a fair competition
procedures. Two examples I am trying to prove that it
.
The Novartis Campus in Basel is a city separated from the vessel
for buildings of various star architects. The hard-won
visit near the entrance shows a beautiful and magnificent buildings of
Märkli and a wonderful cantilevered glass-packaged
servants and ministers offices. If you hide even more purist
Sanaa office display case it is not a single notable house. The
big name from Japan, Spain, Austria and where fabrics that are not really exciting
all have brought about. In all of these buildings
there was no architectural competition.

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Sustainable Architecture

The architecture student admires the creative architects, developed a
ideas or thinking on this is interesting. These ideas
must be built and with elaborate
details so that the recognition spreads. This means that in
the design and implementation stage, much effort has to be.
The SIA described compensation approaches that are still being pressed more often to the detriment of the
architects, but always let the
less. This can grow without leading to either an architect or leisure
fast and shrink the offices, because after
completed construction work, the team no longer be financed
. Both scenarios are not very attractive. The first case leads to the architects
freak and the second to unpleasant moods
in the office when layoffs are just after new architects set
. You work out of pure fun at work and would also like to do
a lifetime. This is a working model that is in conflict
to a family, either for financial reasons (an architect
80% wage is not enough for three or four people) or
social reasons. One would like to see his children grow up.
I wonder where are the architects unions?

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The investor competition

The jury consisting of a chairman, the subject matter experts and
experts criticize the design of the architect. Now it comes in
in Switzerland, particularly for larger construction projects, and more often are
that subject matter experts, so the investors, represented in greater numbers than the
experts, architects. There are
these cases the economic criteria are often rated higher than the architectural
.
occurs in today's economy, the investor also plays back from a project
competition and the winning project over to
another client. The architectural criticism of the jury is more and more
a farce. A case example is the award given by the SBB
study commissioned WestLink 2009th As the jury was dominated by
employees of SBB and KPMG. The auditor has folded after
decidedly study contract from the project.
one is interested in architecture should not take part in such competitions
you. But as in exactly these projects prestige and
money is at stake, this will do a little. A ban would
the solution.
If you are interested in money should be much higher for such competitions
can compensate, as a satisfaction for the ruling
arbitrariness.

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"The architecture is a lasting phenomenon. If it is based on short-lived fashions or to show effect, it is contradictory "

www.nzz.ch/nachrichten/kultur/kunst_architektur/bilbao_war_gestern_1.5475964.html>

It seems as if architecture would be the world agreed that the Bilbao Effect brings you on the little time and sends out the wrong signal. In This article is mainly to Spain, and Others, because no other country has pursued this strategy so assiduously. We find, however, such examples in every country that counts itself among the global players.
I agree that the great economic crisis, this movement has slowed down slightly but, despite generally sound management of financial resources, physical Resources and needs, and despite the unanimity of the architecture industry, that such "Viagra Urbanism" is a big waste of construction is still very much attraction architecture that do not follow the normal laws and standards of architecture and urban planning needs (Gehry Basel, Ordos HdM, Hadid Opera Dubai ...). Why?

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little anecdote to amuse yourself?

. Frank Lloyd Wright appeared as a witness in court, "Your profession," said the chairman
. "I am the greatest living architect"
. After his friends asked shocked as he had to say something can.
"I had to," Wright replied, "I was under oath."

Whether we once can claim us?

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criticism of criticism

We have been asked on the blog an entry ... to clear It was the testimony of an architect during a tour, which again was not in the cited quotations We have responded to this request for two main reasons: First, it is customary that you quotes for interviews - if not included - for Check the appropriate people can be. Second, and this seems to us fundamentally, it is the responsibility of the critic, the object of his criticism not to lose sight of. The subject of architectural criticism is an architectural object, not a polemic against an architect. Such a principle is of course always possible, especially when they make general statements about the role of the architect in society.
In the present case, it by no means so that the issues raised would have been irrelevant. On the contrary, key issues were addressed: the status of the architect in society, the competition in business, public awareness etc. The architect as a public person, especially as teachers of this responsibility should be put conscious. It is the other part but also the task of the critic, carefully between semi-private expression and public notice to consider: Not everything that is formulated polemically in oral way, is one suitable to one for the publication. The names mentioned, the architect has distracted in this case more on the general and important issues, instead focusing attention on it.

Reto Geiser, Laurent Stalder and Martino Stierli

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Building is a part of everyday culture vs. modern

Today in the AZ, a report appeared on the Architecture Week 15n by Sia (www.15n.ch), were interviewed, Daniel Kündig, president of SIA.

Question: The SIA should launch a postulate: Architecture and architectural criticism as a subject! You hear critical listening, discussing literature, picked apart an opera or theater en, goes to shows. Only houses are not looked at - except art history major.

D. Kündig: art history and the monuments, yes. But architecture and architectural criticism is not an issue - even though it affects our authoritative designed habitat. There is a school project by the BSA and SIA, but that's not enough. Society and politics do not know the value of the built environment. The excellent education at Swiss universities and the high craftsmanship at risk (...)

How you look is that? Must architecture school subject, the subject must be promoted? Endanger these "ignorance" of the population of our profession?

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neobarock









































baunetz announcement dated 22.03.2010:

"It's about the Main Street in the Inner Neustadt Dresden - a district that was originally built baroque and after the war damage mainly built with prefabricated buildings again. One of them is now soft for town planning reasons and make way for a modern design of the Dresden office Knerer and long . I like the "Historical Society Neumarkt not, so she tries on all channels, set the people vote" per Baroque "in motion. But a first voting action of a local television station ended with a surprisingly narrow victory of the modern-friends.

Now sets the Bild newspaper after a new election campaign and strengthened the tone clearly - see above. The action is temporary and will apparently end today at midnight. Until then, there might be a surprise or two: This afternoon, at any rate was again slightly in the Modern management. If it stays, will be launched soon somewhere safe until the next voting ....

(16:30 Addendum: The image survey is taken without the publication of the result by the network) "

If you had as you voted

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How much in terms of environmental impact assessment, a Google search?

? A group of researchers at Harvard University have shown that each search on Google 7 grams of CO2 in the atmosphere, compared to 15 grams, the boil water for tea are produced

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handwriting.

comment "Show me how you build, and I'll tell you who you are,"
Christian Morgenstern (1871-1914), poet dt

It's been us all so taken. Walking through the tax panels, see lying around projects and know instinctively: that must have made THE.
it does not behave like the manuscript itself? I can turn the extreme left tilt, only capital letters with greater distances Leave between the words, the whole can add a pinch of Schnürlischrift and play through all the options and everything looks different - for now. But the inherent characteristics of the "invisible rhythm", the force by the individual issuing the pin and restart - the individual behind it - can be in all facets of wealth does not hide his "signature" can not be wiped off.
With style in the traditional sense to do this less. In every home of a mathematical formula, a unique parent structure that is forced to emerge in all creation. This once detected, to recognize them again unverweigerlich. The uniqueness an architect is the greater, the stronger the personality behind it.

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Benedict Loderer about the rest of us

the language in which Benedict Loderer under the title "We are all Rüdisülis" uses speech appeared and bordering polemics. It reeks of irony, and keeps the reader relentlessly up a mirror under his nose. Here is such a direct reference to the environment and work each of us, that we PERMIT the issue of urban sprawl, which is dealt with in the text, not ignore any longer. An indictment of us all, gains by the conciseness of their language heard.

http://www.derbund.ch/leben/gesellschaft/Wir-sind-alle-Ruedisuelis/story/22702346/print.html

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How about if we were to meet again in search of beauty? A universal beauty - as versatile as a stove in the house and a smile as an expression of joy.

What if an ornament or joke would be even more useless? If it would be nice? So beautiful that everyone understands that it is not questioned.

asks why no one as I got the idea to wear earrings? Is it important whether these earrings are beautiful, fit me like the viewer, or only a certain kind of viewer?

Is there a universal Beauty?

see why all the ruins in Greece and the decaying buildings in Rome, why are the decaying Florence and the romantic cities of Paris arrogant? What is fascinating about the drab Mona Lisa? Why no one wants to live in Betonhochhausvorstädten? Why does it smell of urine in subways?

A very quiet beauty, indisputable.

I think there is beauty, which is about a matter of taste and era, the architects and non architects, artists and non artists convinced noticed to have to face without piercing neon-colored in their way. The kind of beauty, which is even more beautiful when she understands, but can not be understood to evoke interest and joy. A beauty that is recognized regardless of culture, age and preferences. Form follows function

maybe, but first and foremost and last of all there was between somewhere between beauty and function and form, they are now hidden. As we are liberated from the straitjacket of modernist objectivity, and to handle even the pseudo-intellectual attempts of the teenage-like post-modernism, with history and consumption, relaxed smile, then we can again embark on a quest for beauty.

And if we dare they detect, they run the risk of missing short, then we could devote ourselves again of the ugliness - the ugliness fascinated because they did not apologized with ideas such as efficiency and functionalism.

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I came across recently on the following homepage:

http://www.living-architecture.co.uk/who-we-are.asp
(in the picture of the house Jarmund / Vigsnæs Architects )


the project would allow everyone in the house of a top-architects to spend a while.
one hand, I find the view of modern architecture to the organization that provides living-architecture, "pretty little objects" on limited, without in the least the width of the themes (should) employ the architecture is employed to show. other hand, I see, of course, the lovely one week in a zumthor spend-house. and am pleased therefore to 2011.

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all been there?





The architects seem to reinvent the wheel again. We put it out just give it a color, size and function.

The example of a staircase in the Castel Grande, Bellinzona, reminds me a lot of modern architecture. A simple and very reduced level as a staircase ... Abstract
The Old and bring in a new context is after all something new, or not?

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"Show me how you build it, and I'll tell you who you are,"
Christian Morgenstern (1871-1914), poet dt

Christian Morgenstern describes the uniqueness of style of an architect. The architecture is the image of the work of an architect and this is a style for ever and ever committed. But is that really so? You can always tell who has designed a building, when you see it? Is not each building an individual and shows different facets of an artist?

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Show me your city utopia and I'll tell you who you are ...

When I finally About this site (http://www.ecogeek.org/content/view/695/) stumbled, I was wondering what "utopia" means in our age. We are moving away from the last great architectural and Stadtutopieära of the last century, in which the credo is mainly consisted of a just, balanced, orderly and healthy environment, social inequality and other economic failures prevented. Friedman, Bakema, Tafuri and your kind are still considered visionaries.
Utopia represents a wish condition of the aspects dealt with, which seem to be unsolvable in the corresponding reality. If you look, however, the modern Western architecture and urban utopias on, you'll immediately notice that between reality and wishful state no longer exists great difference. Not least because the development of new technologies is so blazing fast that a utopia can not be a long time or can. The great social danger of the West is of course Global Warming and the "ignore sustainability." Our utopias exist, we build them in the form of prototypes. A pleonastic? So we build "green and sustainable 'skyscrapers that are affordable for a limited target group or in the Mongolian desert Architektenzoo whose exact purpose is not clear to me, and I find neither social nor environmental sustainability can read. Clearly, these formulations are
exaggerated and many will tell me that our short-term utopias have large effects and that our biggest problem is actually the climate.
my opinion, was the process of urban and architectural utopias in the past is of great importance for the development of architecture, one has by the limits of the design can make fullest ever. Today's utopias or better prototypes consist of the latest technology and most stunning architecture, but I wonder what value it in the "normal" contemporary architecture and flows back into the present society? Solve our utopias only Problem at a time?

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In memoriam.

From My Life (1903) - Adolf Loos, Anyway.

I meet the famous modern artists space X. on the road.
Good day, I say, yesterday I saw an apartment from them.
So - what is it then?
The dr. Y.
above, the dr. Y. For God's sake, just watch the dirt but will not start. I made three years ago.
What they do not say! You see, dear colleague, I have always believed, is a fundamental difference between us there. Now I see that time difference is just an act. A time difference that can be expressed in even years. Three years! I have that is even then claims that there is a dirt - and they do it only today.